Auteur / Autrice : | Alessandro Rossi |
Direction : | Martin Galinier, Giovanni Carlo Federico Villa |
Type : | Projet de thèse |
Discipline(s) : | Histoire et histoire de l'art |
Date : | Inscription en doctorat le 02/11/2010 Soutenance le 18/09/2013 |
Etablissement(s) : | Perpignan en cotutelle avec Università degli studi di Bergamo (Italie) |
Ecole(s) doctorale(s) : | École doctorale INTER-MED (Perpignan ; 2011-....) |
Résumé
I would like to consider the history of art in an anthropological perspective on the traces of scholars as hans belting, louis marin, daniel arasse, georges didi-huberman, michaêl baxandall, david freeberg. i am going to carry on a theoretical and in-deep research, which could also be expressed through a pholosophical, semiotic and psychoanalytic language in the conviction that, to know better the man-made work of art, it is necessary to understand the human being. the project aims, after a methodological premise, at setting up bnew useful references to trace the formulation of a study of art in a historical-anthropological sense. the specific cases i am going to analyse are from the italian art of different centuries : the xvi century (iconological analysis of a group of venetian allegorical-portraits), the xvii century (semiotic analysis of a group of lombard religious paintings) and the xviii century (psychoanalytic analysis of some frescos of tiepolo).