Auteur / Autrice : | Carmen Gustrán Loscos |
Direction : | Pilar Martínez-Vasseur, Julián Casanova |
Type : | Thèse de doctorat |
Discipline(s) : | Etudes hispaniques |
Date : | Soutenance en 2014 |
Etablissement(s) : | Nantes |
Ecole(s) doctorale(s) : | École doctorale Sociétés, Cultures, Echanges (SCE) (Angers) |
Mots clés
Mots clés contrôlés
Résumé
This doctoral dissertation analyses how the Franco regime was portrayed on the big scree in the twenty-five years that followed the death of the dictator. It investigates the depictions of the dictatorship, the most recurrent topics and periods represenetd and the movies' reception by critics and the general public. The thesis aims at exploring the interferences between cinema and history, between culture and the historicel contexts in which the latter is produced and consumed. , as a way of understanding how spanish ociety dealt with its recent past. The doctoral dissertation is divided into three parts, according to three different political eras in recent spanish history. The first covers the tarnsition to democraty (1975-1982). The second deals with the four consecutive terms that the spanish socialist workers party (PSOE) was in power (1982-1996). The third section explores the first term of the people 's party (PP) (1996-2000). The PhD thesis analyses more than 150 films. It zpplies Marc Ferro's concepts of "cinematic reading of history" and "historical reading of the film", Pierre Sorlin's ideas about filmic attachment points, together with filmic analytical series and filmic constants. This study aanlyses the cinematogarphic memory of francoism from the late 1970s to the beginning of the twenty-first century and thus spanish cociety throughout these years.