''ideologia in fabula''. Incidences d'aspects ideologiques dans l'oeuvre poetique du tasse : pastorale et poeme heroique ; et dans la ''filli di sciro'' de bonarelli

''ideologia in fabula'' ideological implications in the poetical works of tasso (pastoral and heroic poem) and in ''filli di sciro'' by bonarelli

• Auteur / Autrice : ALAIN GODARD
• Direction : André Rochon
• Type : Thèse de doctorat
• Discipline(s) : Études italiennes
• Date : Soutenance en 1990
• Etablissement(s) : Paris 3

Mots clés

Mots clés libres

Etudes italiennes

Litterature du 16e siecle

Le tasse

Bonarelli guidubaldo

Poesie pastorale

Poesie heroique

Pastorale

Résumé

La premiere etude, consacree a l'aminta, tente de preciser les significations qu'ont pu revetir pour le public de cour de la premiere representation les renvois a des donnees de sa propre realite intervenant au cours de l'action de la pastorale. Les trois etudes suivantes portent sur les incidences qu'ont dans le poeme heroique certains aspects ideologiques : l'etude du ''capitano'' au ''cavalier sovrano'' examine les modifications qui, de la liberata a la conquistata, affectent la figure de godefroi, en sorte que disparaissent, dans un contexte d'ensemble sensiblement modifie, le role de chef politique et la fonction de point de reference oblige de la structure narrative; l'etude le camp paien et ses heros, apres avoir considere les traits politiques conferes au monde paien de la liberata et examine les modalites utilisees pour faire sa place a la religion antagoniste, s'interesse avant tout aux caracteristiques presentees par les heros paiens; la troisieme etude, les mobiles des croises, tente de cerner les effets que suscitent des allusions intermittentes a des mobiles interesses existant chez les combattants croises. L'etude la ''filli di sciro'' de guidubaldo bonarelli examine comment l'auteur, tout en exploitant dans sa pastorale les precedents litteraires de l'aminta et du pastor fido, prend en compte les imperatifs d'une ideologie clericale affirmant plus nettement son emprise sur la culture d'une ville desormais rattachee aux etats de l'eglise.

THE FIRST STUDY, WHICH BEARS ON AMINTA, TRIES TO CLARIFY WHAT MEANINGS MAY HAVE BEEN READ BY THE COURTLY AUDIENCE DURING THE FIRST PERFORMANCE INTO THE ALLUSIONS TO ITS OWN REALITY WHICH OCCUR IN THE ACTION OF THE PASTORAL. THE NEXTE THREE STUDIES ANALYSE THE EMERGENCE OF SOME IDEOLOGICAL ASPECTS AND HOW THEY AFFECT THE HEROIC POEM : THE STUDY FROM ''CAPITANO'' TO ''CAVALIER SOVRANO'' EXAMINES HOW, FROM GERUSALEMME LIBERATA TO GERUSALEMME CONQUISTATA, THE FIGURE OF GODEFROI IS MODIFIED SO THAT HIS ROLE AS POLITICAL LEADER AND HIS FUNCTION AS INDISPENSABLE FOCAL POINT OF THE NARRATIVE STRUCTURE BOTH MELT AWAY IN A NOTICEABLY ALTERED GENERAL CONTEXT. THE STUDY THE PAGAN SIDE AND ITS HEROES, HAVING NOTED THE POLITICAL FEATURES ATTRIBUTED TO THE PAGAN WORLD IN GERUSALEMME LIBERATA, AND OBSERVED THE MEANS USED TO ALLOW SOME ROOM TO THE OPPOSITE RELIGION, DEALS PRIMARILY with THE PAGAN HEROES' MAIN CHARACTERISTICS. THE THIRD STUDY, THE CRUSADERS' MOTIVATIONS, IS AN ATTEMPT TO MAP OUT THE CONSEQUENCES ARISING FROM THE RECURRING ALLUSIONS TO SELFISH ENDS ATTRIBUTED TO THE CRUSADE FIGHTERS. THE STUDY ''FILLI DI SCIRO'' BY GUIDUBALDO BONARELLI ANALYSES HOW THE AUTHOR, WHILE MAKING USE IN HIS PASTORAL OF LITERARY PRECEDENTS SUCH AS AMINTA AND II PASTOR FIDO, ALSO TAKES INTO ACCOUNT THE REQUIREMENTS OF A CLERICAL IDEOLOGY WHICH WAS TIGHTENING ITS HOLD OVER THE CULTURAL LIFE OF A CITY HENCEFORTH ANNEXED TO THE PAPAL STATES.